30 Second Typing Test on the First Lines of Classic Novels
Type the opening for 30 seconds; the clock starts with your first key.
WPMType each word and press space after it. The clock starts on your first key.Itwasthebestoftimes,itwastheworstoftimes,itwastheageofwisdom,itwastheageoffoolishness,itwastheepochofbelief,itwastheepochofincredulity,itwastheseasonofLight,itwastheseasonofDarkness,itwasthespringofhope,itwasthewinterofdespair,wehadeverythingbeforeus,wehadnothingbeforeus,wewereallgoingdirecttoHeaven,wewereallgoingdirecttheotherway--inshort,theperiodwassofarlikethepresentperiod,thatsomeofitsnoisiestauthoritiesinsistedonitsbeingreceived,forgoodorforevil,inthesuperlativedegreeofcomparisononly.
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30 seconds of typing. Words per minute is correct characters divided by five; accuracy is correct keystrokes out of all keystrokes.
This 30 second typing test uses the opening lines of twelve classic novels, from It was the best of times to Call me Ishmael. Type in the box for half a minute and read your speed and accuracy.
Read the full guide
Why 30 seconds
A typing test of 30 seconds is short enough to repeat five times in a row and long enough to get past the first nervous words. One slip costs more than in a longer run, so treat each result as a sprint and compare it only with other 30 sec typing test scores.
Which opening to pick
Short openings such as Great Expectations (1861) end well inside half a minute, and the next one follows on. A Tale of Two Cities (1859) is one sentence of 118 words, so you never reach its full stop.
Read the first line before your first key: the clock waits for you, and the first words set your pace.
Questions and answers
How is a typing test of 30 seconds scored?
Your speed is correct characters divided by five, doubled to make a per-minute figure. Capitals, commas and quotation marks all count. Accuracy shows beside it, and your best is kept in this browser only.
Is a 30 second score the same as a 1 minute score?
Not quite. Half a minute leaves less time to tire and more weight on each slip, and these openings carry capitals and punctuation. Compare a result only with another 30 second run on the same kind of text.
Are these the real first lines?
Yes. Each passage is the start of the novel as first published, from 1818 to 1903, with curly quotes set straight and long dashes typed as two hyphens. All twelve books are in the public domain in the United States.
All 12 passages
Short openings, under 50 words 2
Frankenstein (1818)The novel opens with a letter. Long words such as commencement and forebodings reward typing each one in a single sweep.
Great Expectations (1861)The shortest passage: 37 words. Pip comes three times and Pirrip and Philip once each, so the P key does most of the work.
Medium openings, 50 to 80 words 9
The Call of the Wild (1903)Place names with capitals, Puget Sound and San Diego, and a hyphen in tide-water.
David Copperfield (1850)An apostrophe in o'clock, a bracket, and simultaneously at the very end, the longest word in the passage.
Heart of Darkness (1899)Sailing words: yawl, anchor, flood and tide. Two sentences, both about waiting for the tide to turn.
Jane Eyre (1847)A bracket in the middle of a sentence and a semicolon before it. Sombre keeps its British spelling.
Little Women (1868)Four sisters speak in turn, each line in double quotation marks. Every quote here is a straight one, Shift and the apostrophe key on a US board.
Moby-Dick (1851)Three words, then a long sentence broken twice by dashes. Each dash is two hyphens with no spaces round it.
The Time Machine (1895)Traveller keeps its British double L, and the first sentence holds a bracketed aside.
The War of the Worlds (1898)One sentence of 72 words, with a semicolon at its hinge. Scrutinised is spelled with an s.
Wuthering Heights (1847)It starts with a year, 1801, so the first four keys are digits. An exclamation mark comes twice.
Long openings, over 80 words 1
A Tale of Two Cities (1859)One sentence of 118 words: seven pairs of opposites, then a dash typed as two hyphens. The repeated it was lets your fingers settle into a rhythm.